That’s precisely what’s happening in “Thriller”, with the detuned Jupiter-8 pad panned to the right, and the CS-80 sound panned to the right. One of the great things about layering is that you can hard-pan the separate tracks to create a wide stereo sound. The ARP 2600 is a truly versatile sound creation tool that still takes its place in modern music. The second patch, likely the CS-80, uses a single sawtooth wave for a thinner sound, and the filter is in a lower position than the first patch. A set of virtual synthesizers from Arturia. The latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five allnew additions. Software Instruments Products Sounds Community Support Get ARP2600 V demo version for free Please fill in the following fields to obtain a download link of the product installer. Grenoble, FRANCE Arturia is proud to announce availability of V Collection 5 Mai 19, 2016. Our recreated patch has a small amount of LFO modulation on one of the oscillators to create a lush chorus effect. Arturia advances industry-standard V Collection of virtual classic keyboards. The first patch, likely the Jupiter-8, uses two detuned sawtooth waves with the filter cutoff around 650 Hz. Despite the heavyweight synths used, the sounds are relatively simple and can be created with any polyphonic synth. In the book Let’s Make HIStory, Anthony Marinelli says the synths used for the “Thriller” verse pads are a Roland Jupiter 8 and a Yamaha CS-80. Layering can create rich sounds with more depth than a single sound. The warm verse pads on “Thriller” were created by layering two different synths playing the same chords. The team had to work around the clock to complete Thriller on time. ![]() Storybook, which Michael Jackson and Quincy Jones were simultaneously working on in the same studio. This tight deadline was compounded by the E.T. The ARP2600 benefited from its third and last ver-sion. In 1978 ARP decided to change the graphic chart for all of its machines: a black background color with orange silk screening was introduced. The album also featured guest appearances from pop legend Paul McCartney on “The Girl is Mine”, rock guitar virtuoso Eddie Van Halen on “Beat It” and Vincent Price, the ‘King of Horror’, on the title track.Įpic Records wanted the Thriller ready for release in November, just in time for the Thanksgiving shopping season. ond version, with a grey background finish and white silk screening (1972). Many of the big players on Off the Wall returned, including songwriter Rod Temperton, session keyboardists Greg Phillinganes and Michael Boddicker, and the late Bruce Swedien on engineering duties. ![]() Thriller was the follow-up to 1979’s Off the Wall, MJ’s first collaboration with producer Quincy Jones, as well as Triumph with The Jacksons, released in 1981.įollowing the Triumph tour, Quincy Jones began to assemble a dream team of musicians and engineers at Westlake Studios, California in August 1982.
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